Generally speaking I favour colour photography. There’s a large amount of beautiful colour information in the mountains I like to capture. I get pleasure however from converting to black and white and reflecting on the difference. There’s something which is sensuous but restrained, powerful but elegant, in a good monochrome shot. Not too long ago colour photography was not yet accepted. The medium was invented as black and white and continued as such for decades. It’s a peculiar abstraction when you think about it – unnatural and not trying to be accurate – but one which we understand immediately. Notice how I cropped this slightly compared to the colour version. It worked as the same frame, but I wanted to concentrate and simplify the image which I think works better. I did the same with my 2013 Pyrenees shot of Balaitous, and photographs from Scotland around two years ago of Ben Lui and Beinn Alligin. Another point to mention is how we live a sea of photographic images. Most of them are colour whether on your phone, camera, web site, computer, or occasional print. As such, good black and white photography is increasingly distinct in relation to the wider medium. I may write more about the specific aesthetics and psychology of black and white in relation to the mountains. Here’s a start. Shibui (渋い) (adjective), shibumi (渋み) (noun), or shibusa (渋さ) (noun) are Japanese words which refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. Like other Japanese aesthetic terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion.

 

Pyrenees Mountain View: Towards Ordesa

Friday January 17, 2014

 
Notes From The Mountains: Male And Female

A few years ago I read an article discussing ‘immersion’ in the hills and how women have the feeling but men don’t. It became silly with talk about the moon, water, and the ladies educating us chaps. Watch a lady swimming in the sea, one person said, and see and learn how she is emotionally enveloped. I’m going to talk about gender and the hills, not the moon and the sea. There is some truth that…


 
Pyrenees Advice: Travel, Towns, and Food

My first trip to the Pyrenees mountains was in 2007. I returned there backpacking in 2009, 2010, 2011, 2012, and 2013. This summer I might go there for the seventh time. I’m considering a series of books, with photographs and notes from all my trips, and it seems I know something about the Pyrenees. Here’s a few notes about travel and towns. Travel There are various ways of getting to the Pyrenees. I can only talk about…


 
Notes From The Mountains: Photographic Composition And Light

Photographic composition is both an art and a science. The science part of it can be taught technically with reference to the Rule of Thirds, leading lines and the psychology of the gaze: what attracts your attention in a shot, where does your eye travel, and why? The art part of composition is more vague and nebulous because it concerns subjective feelings. Ultimately, as in art so with photography, we like what we like and there’s…


 
Notes From The Mountains: Authentic Photography And The Lake District

Difference between entertainment mountain material, and my experience mountain material. I will write about this. pic.twitter.com/WnzqSN6VPg— James Lomax (@james__lomax) February 7, 2014 I was recently struck by the above realisation. There’s a difference between writing, photography and video designed to entertain, and that which expresses something more personal and direct. Are you aiming for an audience or something more intangible? Trying to capture interest or inviting it? Serenity or action – and which is the more…


 
Notes From The Mountains: Photo, Video, Dreams

About fourteen months ago I bought a Sony RX100 for two reasons. I wanted a video tool and preferred the ergonomics of a compact camera rather than a video cam as such. I wanted a back up to my DSLR which would also serve as a useful extension for photographic work. This meant two things: a zoom range beyond my Canon L Series 17-40, and inconspicuous size useful for street photography. Any compact camera gives…


 
Eccentric Hills

Pre-dawn starts are the way to go. I knew it was going to be a good one as soon as I left the trees, the first faint traces of red backlighting gravid cloud. It peaked at 08:30 – and ten minutes later it was over. I’d seen the same thing walking through Inverness the previous morning, shifting layers of pink and red cloud lit up with pinpoint clarity; I could hardly take my eyes…


 
Robert Macfarlane, Nan Shepherd, The Cairngorms

I don’t think there’s enough poetry, philosophy, rapturous appreciation of the hills. Look at the books, and you find overwhelming emphasis on heroic battling and the claiming of summits. Look at the magazines, and you find a constrained format with a particular house style. Look at the big films and you find The White Spider, Touching The Void, Everest assaults and similar. It’s tedious. With my literary background I want a great deal more than the…


 
Cameras For Mountain Photography

I bought my first digital SLR many years ago after waiting for the quality to improve and the price to drop. It was right on the cusp of it, because prior to the Canon 10D reports suggested DSLRs were inferior to film and they were too expensive. The reason why the first sensors were cropped in size is because they were so expensive to manufacture. It was the same with full frame sensors concerning cost. Way…


 
Great Gable Cloud Inversion: A Lake District Walk

Through the summer, the landscape’s most frequent mood had been dim and gloomy. The damp air coming through the window was rich with the fragrance of rot and growth, and to the eye it had much the same shimmering dense quality as looking through a telescope. The burden of moisture in the air worked on perception as optics of poor quality do, distorting, expanding, and diminishing distance and altitude, altering the sense of mass moment…


 
A Walk Through The Alps: Mountain Photography And Manipulation

Wilderness is not a luxury but a necessity of the human spirit – Edward Abbey Everything’s choreographed now, it’s fucking rubbish – Noel Gallagher We will teach our twisted speech to the young believers – Joe Strummer To conclude my reflections on the topic of photography and manipulation I’ll refer to the work of a former colleague. I’ll consider the term manipulation in more subtle and complex terms which are not confined to photography technique, but I use…